Colourist Jean-Clément Soret underscores the old master look

Technicolor in London has completed the finishing on Tulip Fever, a romantic period drama from The Weinstein Company and directed by Justin Chadwick. As well as performing the grade, conform and … Continue reading →

Dedicated 5.0 toolkit for animators and compositors allied to render-free colour

FilmLight, the leading colour science and grading specialist, is introducing a powerful new version of Baselight for NUKE at IBC2017 (Amsterdam, 15 – 19 September, stand 7.F31). The plugin … Continue reading →

Grading plugin provides Baselight 5.0 toolkit and familiar operation

FilmLight, the leading colour science and grading specialist, is showcasing the latest release of Baselight for Avid, its high-productivity plugin that brings colour control and preview to editing workstations, at IBC2017 … Continue reading →

New base ensures high-level colour technology team are available to support growing post-production market across Europe

FilmLight, the leading colour science and grading specialist, has opened a fully-staffed office in Munich. The location has been chosen not just to serve … Continue reading →

The Embassy in Vancouver and Alter Ego in Toronto share FilmLight BLGs to achieve a perfect result for ‘Return of the Snowman’

When you book a commercial into the Super Bowl coverage, you know that the creative and technical quality … Continue reading →

Technicolor, the world leader in production and post-production services, has extended its colour grading capabilities in Hollywood with FilmLight’s Baselight X system. Baselight X is the latest and most powerful implementation of the Baselight colour grading and finishing system.

HDR … Continue reading →

New offering allows experienced or future talent to move up to Baselight with support from FilmLight

At NAB2017, FilmLight will preview their latest product, Baselight STUDENT, a software-only macOS application that answers the call from a growing number of facilities … Continue reading →