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Nice Shoes take Pink Through The Looking Glass in “Just Like Fire”

For Pink’s song “Just Like Fire”, the signature song for Disney’s new film Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention’s VFX Supervisor Todd Sarsfield teamed with Nice Shoes to bring the singer through … Continue reading →

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Broadcast Beat at NAB 2016: 4K, 8K and HDR

From Broadcast Beat:

NAB Show LIVE: 4K, 8K and HDR
Janet West hosts this panel for Broadcast Beat, including Wolfgang Lempp, Ceo of FilmLight, alongside Robert Carroll, Senior Director of Content Solutions at Dolby Laboratories, and Janet Lafleur, Senior … Continue reading →

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The Foundry’s roving report NAB 2016: FilmLight

From The Foundry:

The Foundry’s roving report NAB 2016: FilmLight

“Heard us talking about Baselight for NUKE? Find out what’s new for FilmLight this year.”

Continue reading →

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postPerspective: NAB 2016 – FilmLight’s Peter Postma

From postPerspective’s YouTube Channel:

NAB 2016: FilmLight’s Peter Postma

“FilmLight America’s managing director, Peter Postma, walks us through what was new from the company at NAB 2016 in terms of its Baselight 5.0, including HDR grading support, remote grading, … Continue reading →

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Studio Daily: Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade

From Studio Daily:

Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade

FilmLight got the attention of color-graders when it announced Base Grade, a new control set that moves Baselight’s focus away from the traditional lift/gamma/gain methods … Continue reading →

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Film and Digital Times: Vittorio Storaro: Passage from Film to Digital

Check out this great interview in the Film and Digital Times with Anthony Raffaele, Senior Colourist at Technicolor Postworks New York.

Anthony became involved with Woody Allen’s “Cafe Society” when cinematographer Vittorio Storaro requested a Baselight colourist who could do … Continue reading →

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FilmLight and Avid launch ‘Professional Colour’ bundle for editors at NAB 2016

FilmLight today announced a new collaboration with longstanding collaborator, Avid®, which will see both companies introduce a new Professional Colour bundle for editors at NAB2016 (18–21 April, Las Vegas Convention Center).

FilmLight first showed Baselight Editions on Avid Media Composer® … Continue reading →

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FilmLight adds free Mac app for on-set colour decisions

Prelight allows cinematographers to generate and review looks and look metadata

At NAB2016 (18–21 April, Las Vegas Convention Center), FilmLight introduces Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and … Continue reading →

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FilmLight’s Baselight 5.0 extends HDR grading capabilities

FilmLight’s new Baselight 5.0, to be unveiled at NAB2016, introduces a completely fresh look to colour control and is the most sophisticated yet intuitive grading tool ever presented to professional colourists and creative artists across the production process. The latest … Continue reading →

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Baselight Ka-booms in Belfast

Rapidly growing post house adds Baselight grading suite for new BBC broadcast project

Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Baselight for Avid plugins. Initial … Continue reading →

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Baselight 5.0 takes grading to a new level

FilmLight announces Baselight 5.0, a completely fresh approach to colour control

FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 … Continue reading →

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Deadpool comes to life on Baselight

Deluxe’s EFILM post creates look for VFX-heavy movie

Deadpool is already one of 2016’s biggest box office hits. This darkly comic and graphic take on the superhero movie was finished by Tim Stipan on Baselight at Deluxe’s EFILM in Hollywood.… Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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