FilmLight today announced a new collaboration with longstanding collaborator, Avid®, which will see both companies introduce a new Professional Colour bundle for editors at NAB2016 (18–21 April, Las Vegas Convention Center).

FilmLight first showed Baselight Editions on Avid Media Composer® … Continue reading →

FilmLight’s new Baselight 5.0, to be unveiled at NAB2016, introduces a completely fresh look to colour control and is the most sophisticated yet intuitive grading tool ever presented to professional colourists and creative artists across the production process. The latest … Continue reading →

Rapidly growing post house adds Baselight grading suite for new BBC broadcast project

Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Baselight for Avid plugins. Initial … Continue reading →

FilmLight announces Baselight 5.0, a completely fresh approach to colour control

FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 … Continue reading →

Deluxe’s EFILM post creates look for VFX-heavy movie

Deadpool is already one of 2016’s biggest box office hits. This darkly comic and graphic take on the superhero movie was finished by Tim Stipan on Baselight at Deluxe’s EFILM in Hollywood.… Continue reading →

Hungary’s Magyar Filmlabor posts Son of Saul from 35mm film shoot to DCP 

Son of Saul, László Nemes’ Golden Globe winner, got its subtle grading atmosphere from one of the FilmLight Baselight suites at Budapest facility Magyar Filmlabor (Hungarian Filmlab). … Continue reading →