Behind the look: Toby Tomkins, Benedict Spence on Eric
Article courtesy of Televisual
The series, directed by Lucy Forbes, was shot by cinematographer Benedict Spence and graded by senior colourist and founder of Harbor’s CHEAT in the UK, Toby Tomkins.… Continue reading →
George Miller and Mandy Walker to lead FilmLight Colour Awards jury
Article courtesy of Variety
The FilmLight Colour Awards have named “Mad Max” saga director, writer and producer George Miller as jury guest of honour and Oscar-nominated cinematographer Mandy Walker (“Elvis”) as jury president. … Continue reading →
Mandy Walker: A vision in colour
Article courtesy of Definition
Cinematographer Mandy Walker talks to Definition about all things colour, as she prepares to judge the FilmLight Colour Awards 2024… … Continue reading →
Elodie Ichter builds a look on Baselight for FX’s ‘Shōgun’
Article courtesy of Digital Media World
TV series ‘Shōgun’ was graded remotely at The Mill by colourist Elodie Ichter. With creative freedom to create a look entirely from scratch, she drew on history for a rich, colourful … Continue reading →
Meet the Colourist: Chris Martin, Mission Film & Design
Article courtesy of Creative Cow
Chris has been a colourist for the last 20+ years, based out of the San Francisco Bay Area. He has balanced his commercial and music video work with his love for narrative … Continue reading →
Baselight training. Paris. Les Lapins Bleus
Baselight accredited training partner, Les Lapins Bleus, is conducting more Baselight training in Paris in the months ahead.
Click the links below for more information…
Baselight: utilisation du logiciel et des pupitres
Dates:
09-13 September 2024
25-29 November 2024
Finding the Perfect Finish for ‘Furiosa: A Mad Max Saga’
Article courtesy of Digital Media World
Colourist Eric Whipp talks about working remotely with his team between LA, Toronto and Sydney to build the looks on Baselight that tell the story of the new Mad Max film, … Continue reading →
Creating The Gentlemen
Article courtesy of Definition
The colour for the series was completed on Baselight by Company 3 colourists Jean-Clément Soret (episodes 1-3) and Matthieu Toullet (episodes 4-8)…… Continue reading →
Expo Pantalla. Mexico City. 18‑19 June 2024
Creativity and colour tools. Tokyo. 18‑19 June 2024
Graded on Baselight 6.0 – Érase Una Vez En El Caribe (Once Upon a Time in the Caribbean)
Article courtesy of Creative Cow
The movie, which was released at the end of 2023 and shot by DoP Willie Berrios, was one of the first movies to be graded on Baselight 6.0 – by senior colourist, … Continue reading →
Creativity and color tools. Toronto. 30 May 2024
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