FilmLight develops unique colour grading systems, image processing applications and workflow tools.

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FilmLight at IBC with Updated Collaboration Tool Nara

Article courtesy of Post Perspective

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FilmLight’s Nara is offering a new suite of features that further streamline media workflows and enhance collaboration. FilmLight will be giving demos of the latest version of Nara, which provides immediate access… Continue reading →
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Creating the look for ‘Furiosa: A Mad Max Saga‘. Los Angeles. 19 August 2024

Join Alter Ego and FilmLight for an exclusive afternoon focusing on creativity and color tools – followed by drinks at The Ruby Soho Bar.
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BIRTV. Beijing. 21-24 August 2024

Stand 8B36
21-24 August 2024

Meet our team on stand #8B36. 

Exclusive colour workshops supplement comprehensive demonstrations of all of the latest platforms – Baselight ONE, Baselight TWO and Baselight X – plus the new features coming in Baselight 7.… Continue reading →

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Behind the look: Toby Tomkins, Benedict Spence on Eric

Article courtesy of Televisual

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The series, directed by Lucy Forbes, was shot by cinematographer Benedict Spence and graded by senior colourist and founder of Harbor’s CHEAT in the UK, Toby Tomkins.… Continue reading →
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George Miller and Mandy Walker to lead FilmLight Colour Awards jury

Article courtesy of Variety

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The FilmLight Colour Awards have named “Mad Max” saga director, writer and producer George Miller as jury guest of honour and Oscar-nominated cinematographer Mandy Walker (“Elvis”) as jury president. … Continue reading →

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Mandy Walker: A vision in colour

Article courtesy of Definition

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Cinematographer Mandy Walker talks to Definition about all things colour, as she prepares to judge the FilmLight Colour Awards 2024… … Continue reading →

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Elodie Ichter builds a look on Baselight for FX’s ‘Shōgun’

Article courtesy of Digital Media World

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TV series ‘Shōgun’ was graded remotely at The Mill by colourist Elodie Ichter. With creative freedom to create a look entirely from scratch, she drew on history for a rich, colourful … Continue reading →

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Meet the Colourist: Chris Martin, Mission Film & Design

Article courtesy of Creative Cow

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Chris has been a colourist for the last 20+ years, based out of the San Francisco Bay Area. He has balanced his commercial and music video work with his love for narrative … Continue reading →

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Baselight training. Paris. Les Lapins Bleus

Baselight accredited training partner, Les Lapins Bleus, is conducting more Baselight training in Paris in the months ahead.

Click the links below for more information…

Baselight: utilisation du logiciel et des pupitres

Dates:
09-13 September 2024
25-29 November 2024

 … Continue reading →

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Finding the Perfect Finish for ‘Furiosa: A Mad Max Saga’

Article courtesy of Digital Media World

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Colourist Eric Whipp talks about working remotely with his team between LA, Toronto and Sydney to build the looks on Baselight that tell the story of the new Mad Max film, … Continue reading →

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Creating The Gentlemen

Article courtesy of Definition

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The colour for the series was completed on Baselight by Company 3 colourists Jean-Clément Soret (episodes 1-3) and Matthieu Toullet (episodes 4-8)…… Continue reading →

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Expo Pantalla. Mexico City. 18‑19 June 2024

Meet with FilmLight at Expo Pantalla 2024 to find out more about the features in Baselight 6 and our latest product, Nara.
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Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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