postPerspective: Quick Chat – FilmLight CEO Wolfgang Lempp on HDR
From postPerspective:
Quick Chat – FilmLight CEO Wolfgang Lempp on HDR
FilmLight, creator of the popular BaseLight color grading system, has been making products targeting color since 2002. Over the years they have added other products that surround the … Continue reading →
BroadcastPro ME: Picture Perfect – Arab Telemedia Group
From BroadcastPro ME, Issue 68, February 2016:
Picture PerfectArab Telemedia Group has upped its game in the regional television market, with an incremental investment in FilmLight’s colour management techniques for its drama productions. BroadcastPro ME take a look … Continue reading →
Dolby chooses Baselight X for ultimate grading and finishing
FilmLight’s latest Baselight system fuels Dolby’s drive for HDR
FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware … Continue reading →
Televisual: ENVY Invests in Fifth Baselight Suite
From Televisual Magazine:
ENVY Invests in Fifth Baselight SuiteSince first opening its doors back in 2006, Envy has followed a rapid expansion plan, opening up building after building, with a consistent, sophisticated look and feel. The company has … Continue reading →
NEW Meet The Colourist: Senem Pehlivan Yagan, Lead Colourist, Imaj Post Production
Meet Senem Pehlivan Yagan, Lead Colourist at Imaj in Istanbul.
Senem first started her career in 2005 as a telecine assistant. She was soon promoted to senior colourist and has worked with many influential directors from around the world. In … Continue reading →
NEW Meet The Colourist: Matt Osborne, Colourist, The Mill
Meet Matt Osborne, Colourist at The Mill in Chicago.
Matt is a member of the renowned international Colour Team at The Mill, having freshly moving offices from London to Chicago. He recently graded a 7-minute epic for H&M starring David … Continue reading →
Post Magazine: Consumer Behavior and Emerging Technologies
From Post Magazine’s 30th anniversary issue (December, 2015):
Consumer Behavior and Emerging Technologies
Wolfgang Lempp
CEO, FilmLight
We already know what the technology issues will be in 2016. In movies, we will be talking about higher frame rates and high … Continue reading →
NEW Meet The Colourist: Cem Ozkilicci, Alter Ego, Toronto
Meet Cem Ozkilicci, Senior Colourist at Alter Ego in Toronto.
Cem Ozkilicci started in colour over 10 years ago. Previously a Flame artist, he worked with Senior Colourist Rob Lingelbach at a post house in Istanbul where he learned first … Continue reading →
FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre
Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow
Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading … Continue reading →
NEW Meet The Colourist: Peter Doyle, Technicolor, London
Meet Peter Doyle, Supervising Visual Colourist at Technicolor in London.
Peter Doyle is one of film industry’s most distinguished supervising colourists, performing magic when colour grading for Academy Award-winning cinematographers and directors such as Andrew Lesnie and Bruno Delbonnel, Peter … Continue reading →
Storyline brings VFX and grading closer with Baselight
Leading Norwegian production and post company adopts OpenEXR-based BLG workflow
Storyline Studios, Norway’s biggest and most experienced post-production company, recently installed Baselight colour grading systems, along with Baselight for NUKE plug-ins to provide strong workflow links between effects and finishing. … Continue reading →
FilmLight delivers end-to-end colour control at Arab Telemedia Group
FLIP, Daylight, Baselight for Avid and Baselight TWO combine for fast and efficient colour pipeline
Emmy Award winning and MENA region leading production company Arab Telemedia Group has added an integrated Baselight colour pipeline to its production and post workflows. … Continue reading →
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