Baselight sets the look for Clint Eastwood’s Jersey Boys
Warner Bros. relies on Baselight for dailies and DI, creating a characteristic period feel for musical
Adapted from the stage hit, Jersey Boys is the musical story of Frankie Valli and The Four Seasons. For his movie adaptation, director Clint … Continue reading →
Baselight for FCP brings world class colour grading to the heart of Guanajuato International Film Festival
This week sees the start of the 17th Guanajuato International Film Festival, or GIFF, which takes place in San Miguel de Allende and Guanajuato Capital in Mexico from July 25 to August 3.
One of the programme highlights is the … Continue reading →
FilmLight hires industry experts to help customers implement leading workflow solutions
Daniele Siragusano and Ram Krishna Tripathi provide invaluable customer support and expertise
FilmLight today announced that it has added two highly experienced figures from the world of post-production to its team. Daniele Siragusano and Ram Krishna Tripathi Samaveda will provide … Continue reading →
House of Cards gets 4K finish with FilmLight’s Baselight
The second series of House of Cards, Netflix’s hugely popular political drama, was released on 14 February and made available to subscribers in 4K Ultra HD. Encore, a Deluxe Entertainment Services company, handled the show’s post production, with Lead Colourist … Continue reading →
Imagica builds new facility around Baselight
Post house in Pinewood Iskandar Malaysia Studios offers first uncompromised grading suite in Malaysia with Baselight
Imagica South East Asia is building a new post house on the campus of Pinewood Iskandar Malaysia Studios, the joint venture between the UK … Continue reading →
‘We Are Monster’ created on Baselight
Splice grades Best British Feature nominee at upcoming Edinburgh International Film Festival awards
We Are Monster, a feature film written and produced by Terra Rossa Films Entertainment and graded on Baselight by Splice, has been nominated for the Michael Powell … Continue reading →
Platform Post Builds Momentum with Baselight
Soho’s boutique post-production house adds new grading suite with Baselight ONE, Blackboard and Baselight Editions from FilmLight
As part of an ongoing expansion strategy, Platform Post – a leading broadcast post-production house in the heart of Soho – has opened … Continue reading →
Baselight boosts The Vanity finishing
Leading Toronto VFX house adds FilmLight colour suite to complete its creative capabilities
The Vanity, one of the top post houses in Toronto and a specialist in VFX, has added a Baselight TWO colour grading system and Blackboard 2 control … Continue reading →
Televisual: Film 40 – The Colourists
Jean-Clement Soret is one of the top grading artists in Europe. His portfolio boasts a number of big brand commercials and features films like the Danny Boyle thriller Trance. The Televisual article looks at his work on the recent … Continue reading →
FilmLight Demonstrates Complete Digital Dailies Workflow at Expo Cine, Video y Televisión 2014
FilmLight, alongside its local partner AMTEC, will be demonstrating its new Baselight DAILIES solution and complete digital dailies workflow in a real-world implementation at Expo Cine, Video y Televisión 2014 (AMTEC stand A-1, Mexico World Trade Center, 03 … Continue reading →
Baselight Grades for Dolby Vision at 2014 NAB Show
FilmLight collaborates with Dolby to offer new creative potential to the post industry
At 2014 NAB Show®, FilmLight will present high dynamic range (HDR) mastering and grading, featuring the new Dolby® Vision™ technology on Baselight’s high-performance colour grading system. Visitors … Continue reading →
FilmLight Partners with Codex on New Solution to Digital Dailies
On-set media management creates effortless dailies deliverables
Recognising that seamless workflows are critical for commercial and creative success in the movie industry, FilmLight is showing an innovative new collaboration with Codex at NAB2014. The new solution allows every variant of … Continue reading →
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