EFILM installs first Baselight grading suite
Colourist Tom Reiser uses Baselight system to create distinctive look for action adventure release DIVERGENT
Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight … Continue reading →
China Film Group uses Baselight TWO to grade Jackie Chan’s ‘Police Story 2013’
Mark Ma recently used the Baselight TWO grading system to grade Jackie Chan’s latest film, Police Story 2013, at China Film Group.
This article was recently published in Film Makers Guide. Here is a short extract in English; click … Continue reading →
Baselight gets ‘Under the Skin’ of Scarlett Johansson film
Collaborative digital workflow creates look for sci-fi movie directed by Jonathan Glazer
Dirty Looks, the London colour grading studio specialising in Baselight grading for independent movies, carried out the finish of Under the Skin – the latest movie from director … Continue reading →
Prism & Pixels Grows with FilmLight
India’s boutique post-house expands with additional Baselight suites
Prism & Pixels – which has served the post-production market in India for over six years – recently added its third state of the art FilmLight digital intermediate (DI) grading suite to … Continue reading →
FilmLight and Industry Partners Exhibit Flawless Integration at NAB2014
New and creative technologies provide professional colour control at every stage
FilmLight is focusing its NAB2014 presence on four of its most creative and industry-leading partners – Codex, Dolby, The Foundry and Sony. With innovative and highly cost-efficient technologies being … Continue reading →
Baselight at BVE London 2014
Leading colourists and resellers demo Baselight grading software
Baselight, the innovative colour grading system from FilmLight, will be represented by leading colourists and resellers throughout the BVE exhibition in London (from 25–27 February at London ExCel).
Kicking off the FilmLight-featured … Continue reading →
Creative COW: Restoring Orson Welles’ Classic Lady From Shanghai
Orson Wells’ The Lady From Shanghai has been beautifully restored by Sony.
The restoration had many challenges, including visible print-through from a poor lacquering job and almost a dozen catastrophic tears where the frame needed to be reconstructed. Sony Colorworks … Continue reading →
Windmill Lane Demos Baselight at Dublin’s Digital Biscuit 2014
Leading colourist, David Hughes, showcases latest Baselight projects
FilmLight, with long-standing customer and leading creative post-production company in Ireland, Windmill Lane, will be showcasing its latest solutions at the Digital Biscuit event from 22 – 24 January 2014 (The Science … Continue reading →
Industry leaders select Baselight for new and unique post house
London industry gurus continue to build a home for the best freelance talent
Well-known post-production artists, Jon Hollis and Tareq Kubaisi, have selected the Baselight TWO grading system and Blackboard 2 control panel from FilmLight for their unique London-based facility. … Continue reading →
Baselight nominations at this year’s Golden Globes
Congratulations from all of us at FilmLight to our clients nominated in this year’s Golden Globe Awards. We wish you all the best of luck for Sunday night.
Inside Llewyn Davis – Best Motion Picture, Musical or Comedy
Technicolor’s … Continue reading →
Color Space Expands with FilmLight
Baselight ONE and Slate added to new, affordable colour suite
Color Space, the leading commercials finishing house in Mexico, has opened its third colour suite, incorporating a further Baselight ONE grading system and a Slate control panel from FilmLight.… Continue reading →
Colorworks Completes Brilliant 4K Restoration of Frank Capra Classic “It Happened One Night”
Find out how Colorworks, Sony Pictures’ digital intermediate facility, completed a lovingly painstaking 4K restoration of Frank Capra’s 1934 comedy, It Happened One Night.
The final restored files were graded in 4K at Colorworks on the Baselight colour … Continue reading →
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