
Baselight boosts The Vanity finishing
Leading Toronto VFX house adds FilmLight colour suite to complete its creative capabilities
The Vanity, one of the top post houses in Toronto and a specialist in VFX, has added a Baselight TWO colour grading system and Blackboard 2 control … Continue reading →

Televisual: Film 40 – The Colourists
Jean-Clement Soret is one of the top grading artists in Europe. His portfolio boasts a number of big brand commercials and features films like the Danny Boyle thriller Trance. The Televisual article looks at his work on the recent … Continue reading →
FilmLight Demonstrates Complete Digital Dailies Workflow at Expo Cine, Video y Televisión 2014
FilmLight, alongside its local partner AMTEC, will be demonstrating its new Baselight DAILIES solution and complete digital dailies workflow in a real-world implementation at Expo Cine, Video y Televisión 2014 (AMTEC stand A-1, Mexico World Trade Center, 03 … Continue reading →

Baselight Grades for Dolby Vision at 2014 NAB Show
FilmLight collaborates with Dolby to offer new creative potential to the post industry
At 2014 NAB Show®, FilmLight will present high dynamic range (HDR) mastering and grading, featuring the new Dolby® Vision™ technology on Baselight’s high-performance colour grading system. Visitors … Continue reading →

FilmLight Partners with Codex on New Solution to Digital Dailies
On-set media management creates effortless dailies deliverables
Recognising that seamless workflows are critical for commercial and creative success in the movie industry, FilmLight is showing an innovative new collaboration with Codex at NAB2014. The new solution allows every variant of … Continue reading →

EFILM installs first Baselight grading suite
Colourist Tom Reiser uses Baselight system to create distinctive look for action adventure release DIVERGENT
Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight … Continue reading →

China Film Group uses Baselight TWO to grade Jackie Chan’s ‘Police Story 2013’
Mark Ma recently used the Baselight TWO grading system to grade Jackie Chan’s latest film, Police Story 2013, at China Film Group.
This article was recently published in Film Makers Guide. Here is a short extract in English; click … Continue reading →

Baselight gets ‘Under the Skin’ of Scarlett Johansson film
Collaborative digital workflow creates look for sci-fi movie directed by Jonathan Glazer
Dirty Looks, the London colour grading studio specialising in Baselight grading for independent movies, carried out the finish of Under the Skin – the latest movie from director … Continue reading →

Prism & Pixels Grows with FilmLight
India’s boutique post-house expands with additional Baselight suites
Prism & Pixels – which has served the post-production market in India for over six years – recently added its third state of the art FilmLight digital intermediate (DI) grading suite to … Continue reading →
FilmLight and Industry Partners Exhibit Flawless Integration at NAB2014
New and creative technologies provide professional colour control at every stage
FilmLight is focusing its NAB2014 presence on four of its most creative and industry-leading partners – Codex, Dolby, The Foundry and Sony. With innovative and highly cost-efficient technologies being … Continue reading →
Baselight at BVE London 2014
Leading colourists and resellers demo Baselight grading software
Baselight, the innovative colour grading system from FilmLight, will be represented by leading colourists and resellers throughout the BVE exhibition in London (from 25–27 February at London ExCel).
Kicking off the FilmLight-featured … Continue reading →
Creative COW: Restoring Orson Welles’ Classic Lady From Shanghai
Orson Wells’ The Lady From Shanghai has been beautifully restored by Sony.
The restoration had many challenges, including visible print-through from a poor lacquering job and almost a dozen catastrophic tears where the frame needed to be reconstructed. Sony Colorworks … Continue reading →
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