Managing Colour with FilmLight
Mark Burton discusses colour management and the transformation in workflows in the latest edition of In Broadcast.
“With today’s high-resolution digital cameras consistency is not the issue, but directors and DoPs still see colour grading as a critical part … Continue reading →
Wolfgang Lempp talks to Post TV at NAB
Wolfgang talks about the evolution of the Baselight colour grading system, as well as FilmLight’s recent product developments, including the deskside version of Baselight ONE, the Slate control surface, FLIP and Baselight Editions for Avid.
You can watch the … Continue reading →
NAB 2013 Roundup
Thanks to everyone who came to see us this year at NAB. It was great to see so many faces, both old and new.
We had a great show, and you can catch up on some of the interviews … Continue reading →
Coloristos ColorCast give their roundup of NAB 2013 highlights
They discuss Baselight Editions, Slate, the new deskside Baselight ONE as well as FLUX asset management – all about 20 minutes in.
“This is a really nice time to be a colourist. You can take a previous investment in … Continue reading →
Digital Production BuZZ finds out more about FilmLight and FLIP at NAB 2013
Larry Jordan from DP BuZZ caught up with Martin Tlaskal at NAB 2013 to discuss all things FLIP and FilmLight.
You can listen to the podcast here.
CinePostproduction produces first film using Baselight and ACES technology
Our customer, CinePostproduction in Germany, has completed its first film using Baselight and ACES technology.
In ‘Ruby Red’ (Rubinrot), the first part of the film of Kerstin Gier’s bestseller, the 16-year-old protagonist Gwendolyn is able to travel … Continue reading →
Scott Simmons (PVC) talks Baselight Editions at NAB 2013
Scott Simmons has interviewed our own Martin Tlaskal at NAB 2013 about all things Baselight Editions.
You can find out more by visiting the Pro Video Coalition web site, or watch the interview below.
[vimeo 63616515 w=500]FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
– New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency –
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The … Continue reading →
Color Space expands with FilmLight to deliver high-end commercials and restorations
Color Space, the leading commercials finishing house in Mexico, has added a further Baselight ONE grading system from FilmLight. The system includes PFClean, the re-mastering plug-in from Pixel Farm whose unique workflow interoperability with Baselight adds unsurpassed capabilities in … Continue reading →
Asia Image: Prodigi House Answers ‘Dare to Change’ Challenge
The latest issue of Asia Image magazine online features a case study on Jakarta facility, Prodigi House.
Working with director Derek Chang and creative advertising agency, Leo Burnett in Indonesia, Prodigi House recently completed the post-production for the Dare … Continue reading →
Nice Shoes Expands with New Color Suite and Baselight TWO Systems
As an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow … Continue reading →
Asia Image: Breaking Dawn Case Study
There’s a new issue of Asia Image magazine online.
This edition features an article on Spice Shop colourist John Galvin’s work on the Surya: Quest to Chase the Sun TVC.
The commercial follows three young photographers across Indonesia on … Continue reading →
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