Digital Media World: A Hero’s Post
Nvizible VFX studio and Molinare post production joined forces on the post for ‘Kick-Ass 2’, giving the movie an exciting cinematic look. The film was graded on Molinare’s Baselight EIGHT grading system by Asa Shoul.
“In the studio, I … Continue reading →
FilmLight broadens colour grading capabilities within Avid
Windows version of Baselight for Avid now available
With the demand for perfect colour control now everywhere in the professional post workflow, FilmLight is taking another important step forward with the launch of its Windows version of Baselight for … Continue reading →
Cluster Studio adds FLUX Store from FilmLight
Mexico based animation studio and post-production specialist adds FLUX Store to help cater for growing data demands
To cater for the increasing demand of high-resolution projects, Cluster Studio — which has served the post-production market in Latin America for almost … Continue reading →
FilmLight gets closer to users in Germany
Two new resellers add to local representative to serve all markets
FilmLight, the leading colour grading and workflow specialist, has strengthened its sales channel in Germany with the appointment of two resellers. creative tools will look after the northern part … Continue reading →
Ncam Real-time Camera Tracking and Augmented Reality – Booth 7.F31
Virtual Studio and Virtual Production for Live Broadcast, TV, Commercial and Film Production
To deliver outstanding support across a range of applications, Ncam will be demonstrating real-time visualisation of immersive 3D/CG graphics content in-camera while shooting.
Using its markerless camera … Continue reading →
Portomídia puts Baselight at the heart of creative initiative
Digital hub in Recife launches post-production training and finishing facility and selects FilmLight technology for unrivalled power and workflow simplicity
Portomidia – a new initiative in Recife, Brazil – is to install a FilmLight Baselight FOUR colour grading and … Continue reading →
Elysium Gains Momentum
With only one more day until its UK release date, you can find out about the complete ACES workflow used in Elysium in the Below the Line online magazine.
As the post facility for Neill Blomkamp’s new movie Elysium… Continue reading →
FilmLight showcases latest solutions at Broadcast & Cable 2013
FilmLight will be joining its local partner, PSK Engenharia, at Broadcast & Cable to demonstrate how its entry-level products make high quality grading available to all, as well as demonstrating the “colour pipeline” at every stage of production through to … Continue reading →
Digital Film Central & FilmLight create ACES workflow for Elysium 4K Finish
Vancouver based post-house Digital Film Central relies on Baselight TWO to help create a fully ACES-compliant and flexible colour pipeline, from VFX to DI
As the post facility for Neill Blomkamp’s new movie Elysium, Digital Film Central (Central) constructed … Continue reading →
FilmLight manages colour from Slate to finish
IBC demonstration shows how the professional approach to colour management and grading delivers creative control and a tangible return on investment
At IBC2013, FilmLight is showing upgrades across its range of products that put colour grading and management of the … Continue reading →
Color Science Basics for Filmmakers
When working with images every day it pays to have have an understanding of how our eyes see color and what really goes on “under the hood” when cameras and software store and manipulates images.
Peter Postma is giving … Continue reading →
Studio Daily: How Elysium’s 4K DI Integrated Editorial and VFX
Senior DI Colourist Andrea Chlebak talks to Studio Daily about sharing information on Elysium‘s look with its VFX providers, working with the Baselight digital colour grading system, and watching the film over and over again.
You can read … Continue reading →
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