Encore: Baselight Helps Hollywood Facility Reinvent Television Post-Production for the Digital Age
Encore is one of the busiest full-service post-production facilities in Hollywood. Part of Deluxe Entertainment Services Group, the company has built its reputation primarily through its work in episodic television. It services such shows as Fringe, Glee, Justified, … Continue reading →
The Mill launches Baselight remote grading facility with NHB Germany
The Mill have just announced the launch of a remote grading facility with NHB Germany, a post-production house who work with some of the biggest advertising agencies and film production companies in Germany.
The collaboration will utilise the Baselight colour … Continue reading →
London’s LipSync Grows Grading Resources with FilmLight’s Baselight
LipSync Post, the award winning London-based full-service post-production facility, has significantly added to its colour grading resources through the purchase of two Baselight systems from FilmLight. When fully operational by year’s end the Baselight systems will serve as the facility’s … Continue reading →
FilmLight’s On-Set and Dailies products win an Emmy
FilmLight has been awarded a 2012 Primetime Emmy Award for its innovative colour preview and dailies products Truelight On-Set and Baselight TRANSFER.
The Primetime Emmy Awards in Engineering are presented by the Academy of Television Arts & Sciences for significant … Continue reading →
FilmLight Introduces 5-for-1 Academic Pricing for Baselight for Avid
FilmLight today announces the worldwide availability of a fully-functional Academic Edition of Baselight for Avid® (Mac), the newest product in its Baselight Editions line, which makes the world’s most powerful colour grading toolset directly available within Avid Media Composer® or … Continue reading →
Lawrence of Arabia: The Power of Baselight Brought to ‘Beautiful 4K Restoration’
Find out about the 4K digital restoration of Lawrence of Arabia, which used the Baselight EIGHT colour grading system to prepare for its upcoming release on Blu-ray.
You can also read more about the process in an article … Continue reading →
Missed the Avid Webinar?
We recently participated in the Avid Webinar: Expand Your Media Composer Capabilities through AVX2 to demonstrate how Baselight for Avid brings colour correction tools to you—right inside of Media Composer and Symphony.
Don’t worry if you missed it—it’s now available … Continue reading →
Creative Cow’s Debra Kaufman rounds up FilmLight at IBC 2012
“FilmLight is on to something. The focus in post-production especially over the last several years has been on workflow and the fact that each one is unique, or a ‘snowflake’. That has made it incumbent on companies that produce the … Continue reading →
Martin Tlaskal talks about ‘Baselight for Avid’ at IBC
Follow this link to watch Martin Tlaskal talking to Adam Green about ‘Baselight for Avid’ at this year’s IBC.… Continue reading →
APA Digital Workshop, Thurs 13 Sept
Join us for the APA Digital Workshop on 13th Sept from 9-11am, hosted by MPC in London. We’ll be showing FLIP, the FilmLight Image Processor.
For more details, visit our Events page.… Continue reading →
Finish Adds Grading via FilmLight’s Baselight
Award-winning London post house Finish, a specialist in 2D and 3D visual effects for commercials, has broadened its service offering to include high-end colour grading through the purchase of two Baselight systems from FilmLight.
The company has also employed colourist … Continue reading →
FilmLight Releases Baselight for Avid
High-end colour grading for Avid Media Composer or Symphony
under US$ 1,000.
FilmLight today announces the release of the latest product in its Baselight Editions line, Baselight for Avid® (Mac). Developed in association with Avid, this exciting new product … Continue reading →
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