FilmLight Kicks-Off Six City European Tour
Latest solutions on display in Amsterdam, Brussels, Cologne, Hamburg, Berlin and Munich
FilmLight will be demonstrating its latest products and developments in six cities throughout Europe, from 14 May – 11 June 2013. The tour will demonstrate how its … Continue reading →
Post FactoryNY Upgrades to Baselight TWO from FilmLight
New York based facility adds Baselight TWO to state-of-the-art screening room
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight … Continue reading →
Colorworks Aids in 4K Restoration of Richard III
Find out how Colorworks, Sony Pictures’ digital intermediate facility, finished an exhaustive restoration Richard III, the 1955 film adaptation of the Shakespearean play directed by Laurence Olivier.
Grading, conforming, DCP mastering and Blu-ray mastering were completed on a … Continue reading →
Hong Kong’s Pixel Box celebrates 5th year with new Shanghai facility
“The move is part of our progressive growth for 2013; our investment into Shanghai with a superior product like Baselight is to offer something different in the market. To deliver incredible fast performance on demanding commercials, the ability to … Continue reading →
Red Echo Post Expands Service Offering with FilmLight’s Baselight
Cincinnati editorial house adds in-house colour grading to deliver full service offering to clients
Top editorial facility Red Echo Post, which has long served leading advertisers from its base in Cincinnati, has moved to round out its offering with a … Continue reading →
Managing Colour with FilmLight
Mark Burton discusses colour management and the transformation in workflows in the latest edition of In Broadcast.
“With today’s high-resolution digital cameras consistency is not the issue, but directors and DoPs still see colour grading as a critical part … Continue reading →
Wolfgang Lempp talks to Post TV at NAB
Wolfgang talks about the evolution of the Baselight colour grading system, as well as FilmLight’s recent product developments, including the deskside version of Baselight ONE, the Slate control surface, FLIP and Baselight Editions for Avid.
You can watch the … Continue reading →
NAB 2013 Roundup
Thanks to everyone who came to see us this year at NAB. It was great to see so many faces, both old and new.
We had a great show, and you can catch up on some of the interviews … Continue reading →
Coloristos ColorCast give their roundup of NAB 2013 highlights
They discuss Baselight Editions, Slate, the new deskside Baselight ONE as well as FLUX asset management – all about 20 minutes in.
“This is a really nice time to be a colourist. You can take a previous investment in … Continue reading →
Digital Production BuZZ finds out more about FilmLight and FLIP at NAB 2013
Larry Jordan from DP BuZZ caught up with Martin Tlaskal at NAB 2013 to discuss all things FLIP and FilmLight.
You can listen to the podcast here.
CinePostproduction produces first film using Baselight and ACES technology
Our customer, CinePostproduction in Germany, has completed its first film using Baselight and ACES technology.
In ‘Ruby Red’ (Rubinrot), the first part of the film of Kerstin Gier’s bestseller, the 16-year-old protagonist Gwendolyn is able to travel … Continue reading →
Scott Simmons (PVC) talks Baselight Editions at NAB 2013
Scott Simmons has interviewed our own Martin Tlaskal at NAB 2013 about all things Baselight Editions.
You can find out more by visiting the Pro Video Coalition web site, or watch the interview below.
[vimeo 63616515 w=500]Press Contact
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