FilmLight Launches New Products to Provide Professional Colour Control at Every Stage
– New control surface, grading platforms and peripherals deliver fast, flexible creativity and efficiency –
FilmLight is further enhancing its integrated colour pipeline with new products to be introduced at NAB 2013 (booth SL 3928, LVCC, 8–11 April). The … Continue reading →
Color Space expands with FilmLight to deliver high-end commercials and restorations
Color Space, the leading commercials finishing house in Mexico, has added a further Baselight ONE grading system from FilmLight. The system includes PFClean, the re-mastering plug-in from Pixel Farm whose unique workflow interoperability with Baselight adds unsurpassed capabilities in … Continue reading →
Asia Image: Prodigi House Answers ‘Dare to Change’ Challenge
The latest issue of Asia Image magazine online features a case study on Jakarta facility, Prodigi House.
Working with director Derek Chang and creative advertising agency, Leo Burnett in Indonesia, Prodigi House recently completed the post-production for the Dare … Continue reading →
Nice Shoes Expands with New Color Suite and Baselight TWO Systems
As an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow … Continue reading →
Asia Image: Breaking Dawn Case Study
There’s a new issue of Asia Image magazine online.
This edition features an article on Spice Shop colourist John Galvin’s work on the Surya: Quest to Chase the Sun TVC.
The commercial follows three young photographers across Indonesia on … Continue reading →
Nice Shoes Crafts Interactive Music Videos For LOVESKILLS
One day, two music videos – two completely different looks.
NYC-based musician LOVESKILLS came to Nice Shoes looking for a creative partner to produce two music videos for the lead-up to the release of his debut EP, Multiplicity.… Continue reading →
Asia Image: Baselight Cover Story
Check out this month’s Asia Image magazine online.
Not only is there a great article on colourist Scott Maclean’s beautiful work on Liquid Hair (at Cutting Edge in Sydney), there’s a lovely image on the cover as well.
Tony … Continue reading →
A Colourist’s Perspective: Putting Post into Production
Chris Rodgers, colourist and Baselight user, to discuss the changing production workflow at BVE London 2013 Chris Rodgers, colourist at Splice and Baselight user, will be presenting in the post-production theatre at BVE London 2013, Excel Exhibition Centre, on Wednesday … Continue reading →
Studio Daily: Nice Shoes Colourist Chris Ryan on “Asad”
Asad, nominated for Live Action Short Film in this year’s Oscars, is about the struggles of a young Somali refugee. The film was a new direction for director, Bryan Buckley, and for the young refugee stars who had never … Continue reading →
Tropfest 2013: Trailer Post-produced by Cutting Edge
Tropfest, held in Australia every year, is the world’s largest short film festival.
Watch the ‘Making Of’ the trailer here (including a lovely shot of Baselight/Blackboard at work at Cutting Edge):
[youtube=http://www.youtube.com/watch?v=cnG01FrwCu4&w=500]
And you can see the finished trailer … Continue reading →
Belle – first UK feature film shot in native 4k – graded on Baselight
F65 used for Belle
‘Belle’ will in all likelihood be a fairly high profile UK debut for the format. The third project backed by Pinewood Films, the relatively recent offshoot of the famous studio complex, it is directed by BAFTA … Continue reading →
GRUNDYUFA Adopts New Workflow with FilmLight FLIP
See also: Watch A Look at FLIP or read the GrundyUFA Case Study.
– On-set preview system improves quality, speed and saves time and money during the production of daily dramas –
GrundyUFA, the largest producer of original television … Continue reading →
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