Creative Cow’s Debra Kaufman rounds up FilmLight at IBC 2012
“FilmLight is on to something. The focus in post-production especially over the last several years has been on workflow and the fact that each one is unique, or a ‘snowflake’. That has made it incumbent on companies that produce the … Continue reading →
Martin Tlaskal talks about ‘Baselight for Avid’ at IBC
Follow this link to watch Martin Tlaskal talking to Adam Green about ‘Baselight for Avid’ at this year’s IBC.… Continue reading →
APA Digital Workshop, Thurs 13 Sept
Join us for the APA Digital Workshop on 13th Sept from 9-11am, hosted by MPC in London. We’ll be showing FLIP, the FilmLight Image Processor.
For more details, visit our Events page.… Continue reading →
Finish Adds Grading via FilmLight’s Baselight
Award-winning London post house Finish, a specialist in 2D and 3D visual effects for commercials, has broadened its service offering to include high-end colour grading through the purchase of two Baselight systems from FilmLight.
The company has also employed colourist … Continue reading →
FilmLight Releases Baselight for Avid
High-end colour grading for Avid Media Composer or Symphony
under US$ 1,000.
FilmLight today announces the release of the latest product in its Baselight Editions line, Baselight for Avid® (Mac). Developed in association with Avid, this exciting new product … Continue reading →
FilmLight at Beyond Hands on HD – Hanover
FilmLight product specialists Sebastian Rasfeld and John Quartel attended Beyond Hands on HD in Hanover last week to showcase and introduce FLIP to young German filmmakers. Having not attended this show before, some comments from our intrepid duo.
JQ: “I … Continue reading →
Dirty Looks grades London 2012 Opening Ceremony
Soho based Dirty Looks completed DI on all the opening ceremony films for the London Olympics.
The work happened in Stratford over three weeks leading up to the big night with the installation of a Baselight, Avid, Speedgrade and other … Continue reading →
FilmLight at IBC 2012
Unique Pipeline for managing colour from script to screen.
At IBC 2012, FilmLight will demonstrate its latest solutions for refining looks and managing colour at every stage in production. Several new products from FilmLight’s expanded product line will be on … Continue reading →
FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow
FilmLight and The Pixel Farm have formed a strategic partnership to jointly market FilmLight’s Baselight colour grading system and The Pixel Farm’s PFClean™ … Continue reading →
FLIP demonstration now available online
FLIP provides on-set preview of live camera output with real-time application of LUTs and looks.
Looks which are developed in the grading theatre during test-shoots can be imported into FLIP, previewed with live footage and then further refined on-set using … Continue reading →
FilmLight announces Baselight ONE ‘ACCESS’ package
Industry leading grading and finishing system at less than US$50K
FilmLight is helping boutique post-production facilities to step up to high-end colour grading by offering its award-winning Baselight system at the lowest price ever. The Baselight ONE ACCESS package can … Continue reading →
Burbank’s FILMLOOK MEDIA and POST Adds Colour Grading via FilmLight’s Baselight
In a move to significantly improve and expand its services, Burbank post-production facility FILMLOOK Media and Post has purchased a Baselight colour grading system from FilmLight. The new system, which includes FilmLight’s revolutionary Blackboard 2 control panel, allows FILMLOOK, for … Continue reading →
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