Noted fashion studios adds high-end colour grading via Baselight as it extends its support for motion

Spring Studios, one of Europe’s premiere photographic studios, has purchased a Baselight colour grading system from FilmLight as part of its ongoing diversification … Continue reading →

The King’s Speech, this year’s winner of the Academy Award for Best Picture, went through final DI grading on Baselight at the post house Molinare in London. The project reunited DI colourist Gareth Spensley and Director Tom Hooper (the … Continue reading →

From acquisition to delivery, Baselight and Avid® provide the modern post-production facility with a total solution for file-based workflows.

Baselight’s editing integration enables truly collaborative non-linear grading within an Avid non-linear editing environment.

Watch Chris Rodgers from Splice discussing the … Continue reading →

Up and coming Paris VFX studio invests in FilmLight’s industry-leading colour grading system

In a move to extend its post-production and grading capabilities, Paris-based visual effects studio, One More Production, has invested in a Baselight colour grading system from Film… Continue reading →

Baselight 4.2 means more creative tools, more control and more functionality for the industry’s leading colour corrector

FilmLight today announced the release of the latest version of its award-winning Baselight colour grading system. Baselight 4.2 is now available for … Continue reading →

Cincinnati, Ohio post house Red Echo Post has acquired a Baselight colour grading system from FilmLight to serve as the centrepiece of its newly-formed Rage & Color division. In adding colour grading via Baselight to its existing editorial, graphics, animation … Continue reading →

Top-end Baselight systems with stereo-3D and Avid integration to be installed in Chicago, Dallas and Nashville facilities

Filmworkers, one of the United States’ leading providers of colour grading and other final post production services, has made a multi-million dollar investment … Continue reading →

FilmLight today announced that FotoKem has installed Baselight EIGHT and Baselight HD colour grading systems at its newly-built post production facility in Budapest. The systems will anchor two Digital Intermediate theatres with Baselight EIGHT used for 2K/4K grading of … Continue reading →

New facility founded by legendary fashion retoucher Pascal Dangin uses FilmLight technology to scan and grade new Gus Van Sant film

Box, the New York photographic studio founded by legendary fashion photo retoucher Pascal Dangin, has purchased a FilmLight … Continue reading →

New grading system integrated into a file-based (Avid and FCP) workflow for television and features

FilmLight today announced that Chainsaw, the award-winning Hollywood post-production facility, has taken delivery of its second Baselight colour grading system. The company will use … Continue reading →

Responding to a surge in client demand for the highest-quality digital film grading, full-service South African post-production facility The Refinery has invested in a Baselight HD colour grading system from FilmLight. The grading tool for commercials, broadcast and DI, … Continue reading →

Top global post and VFX facility invests in three stereo 3D systems from FilmLight

MPC, the leading global post-production and visual effects facility, has become the first company worldwide to invest in FilmLight’s new Truelight 3D player. Launched at … Continue reading →