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FilmLight Appoints Fred Medina as V.P. of Sales for the (US) West Coast

As part of its current effort to support its growing position in the US commercial market, FilmLight has appointed Fred Medina to the post of Vice President of West Coast Sales. Medina, who arrives from a similar position with … Continue reading →

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FilmLight Boosts Engineering Staff in Asia

Richard Senior to Support Clients across the Asia Pacific Region

FilmLight, a leading provider of digital film and video technology, has appointed Richard Senior as Product Specialist. Senior will provide installation assistance, technical support and training for the entire … Continue reading →

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The LaB Sydney Selects FilmLight’s Northlight and Baselight for New DI Theatre and Commercials Workflow

Expanding it’s comprehensive offering for Australia’s burgeoning film, television and commercials markets, Sydney post-production house the LaB has acquired a Northlight 2 film scanner and Baselight FOUR and Baselight HD colour grading systems.

The Northlight scanner and Baselight FOUR form … Continue reading →

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London’s Splice Adds Colour Grading via FilmLight’s Baselight

Post Boutique Grading Series for Discovery and Channel 5; Takes Aim at Features

Splice, a post-production boutique located in Shoreditch, has acquired a Baselight HD from FilmLight and has already started to offer colour grading services to its clients. … Continue reading →

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Post Logic Studios Uses Baselight to Grade First 4K Feature—”Reach for Me”

In the clearest indication yet that the era of 4K may have arrived, Post Logic Studios recently used FilmLight’s Baselight EIGHT colour grading system to grade and conform Reach for Me, the first feature to be shot and … Continue reading →

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As featured in American Cinematographer: Paramount Restores ‘The GodFather’

4K capability was key to success

Widely regarded as a landmark achievement in cinematography, Paramount Pictures’ The Godfather (1972) is identical to most films of its era in one respect: it was not properly preserved.

Film-preservation expert Robert A. Harris … Continue reading →

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Lumeni Productions Taps FilmLight’s Baselight for Trailers

Lumeni Productions Inc., one of Hollywood’s top full-service producers of feature film trailers, main titles and other movie marketing media, has invested in a Baselight HD from FilmLight. The company plans to use the system for colour grading theatrical … Continue reading →

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Stockholm’s Morgankane Adds Colour Grading Via FilmLight’s Baselight

“For Commercials, It’s the Best System Available” says CEO Anders Hägglund

Morgankane, one of the largest suppliers of post-production services in Scandinavia, has invested in a Baselight HD from FilmLight enabling it to offer colour grading services for the … Continue reading →

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New York’s Nice Shoes Makes $3 Million Investment in FilmLight Colour Grading Systems

Facility Plans New Collaborative Workflow for Commercial Post

Nice Shoes, New York’s largest provider of post-production services to the advertising industry, has agreed to purchase more than $3 million in new colour grading technology from FilmLight. The purchase includes … Continue reading →

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India’s Adlabs Launches 4K DI Theatre with FilmLight Technology

DI Workflow Features Five Baselight colour grading systems and a Northlight 2

Adlabs, part of the Reliance Anil Dhirubhai Ambani Group and India’s largest entertainment conglomerate, has made a major investment in state-of-the-art 4K film scanning, colour grading and colour … Continue reading →

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Thomson and FilmLight to Showcase Software Grading Control for Spirit at NAB

At the National Association of Broadcasters Convention in Las Vegas, Thomson Grass Valley and FilmLight will conduct a groundbreaking demonstration in which FilmLight’s Baselight colour grading system will control a Thomson Grass Valley Spirit as a telecine controller. … Continue reading →

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FilmLight to Unveil Truelight Unlimited at NAB

Affordable Colour Management for Third Party Applications

At the National Association of Broadcasters Convention, FilmLight will introduce a radical extension of its industry-leading Truelight colour management system that will include support for the most widely used third-party colour correction, … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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