At the upcoming NAB Show (National Association of Broadcasters Convention), Sony and FilmLight will demonstrate grading and display of uncompressed 4K imagery in real-time. The demonstrations will be conducted at both the Sony booth (SU906) and the FilmLight … Continue reading →

Facility’s New 2K/4K DI Workflow Aimed at Features & Commercials

Windmill Lane Ltd, the largest post-production house in Ireland, has become the first facility in the country to purchase FilmLight’s Baselight colour grading system. The company plans to install … Continue reading →

Truelight On-Set to Debut at NAB

FilmLight has developed a version of its industry-leading colour management technology, Truelight, for use by film and television productions in performing basic colour correction functions on-set or on-location. Truelight On‑Set is aimed at the … Continue reading →

Facility Gears Up for Commercial and Feature Projects

Aiming to garner more mastering work for feature films and commercials, Santa Monica, California-based Core Group has purchased a Baselight ONE colour grading system from FilmLight. The system will enable the … Continue reading →

Chris Noellert, a post-production technology specialist, visual effects artist and editor, has joined FilmLight in the newly-created post of Product and Workflow Specialist. Formerly Technical Director at Nordisk Film Post Production, Stockholm, Noellert will work with FilmLight clients … Continue reading →

Sponsored by FilmLight

In this series, host Richard Lloyd discusses and debates the use of colour in film, television, advertising and emerging media with Directors, Producers, DoPs, technicians, colourists, editors, agency creatives and brand owners, as well as academics and … Continue reading →

FilmLight, a leading developer of film scanning, colour grading and colour management technology, has appointed Mark Burton as European Sales Manager. Burton, who has more than 20 years of experience with technology companies serving the film and television industry, … Continue reading →

Northlight Scanner, Baselight Colour Grader Form Backbone of Workflow Dedicated to Feature, TV series and Documentaries

Belgium post-production house HoverlorD has unveiled a purpose-built Digital Intermediate Theatre at its facility in Liege employing FilmLight’s scanning and colour grading technology. … Continue reading →

Fast Growing Soho Post House Responds to Growing Demand for High End Grading

High definition post production house Envy has invested in a Baselight FOUR colour grader—its second such system. Manufactured by FilmLight, the resolution independent colour grading system … Continue reading →

New Post Facility Brings High End Colour Grading to Ukraine

FilmLight’s Baselight HD colour grading system will be the centrepiece of a new post production facility launching this month in Kiev. Top Dogz, founded by Colourist Jake Blackstone and … Continue reading →

Speed and toolset of Baselight an integral part of the solution

The second series of ‘Torchwood’ is about to air in the US. Post for ‘Torchwood’, which is shot on high-definition (HD) video, is carried out at The Mill in … Continue reading →

Epic new Guinness commercial graded by Paul Harrison on the Baselight colour grading system

Shot in an Argentinian mountainside village, the ad features a game of dominoes which escalates to include suitcases, tyres, oil drums, fridges, wardrobes and cars.

Filmed … Continue reading →