FilmLight’s Baselight EIGHT was recently used to perform final colour grading for one of the year’s most eagerly anticipated feature films, Harry Potter and the Order of the Phoenix. Truelight, FilmLight’s colour management tool was also used … Continue reading →

Post House Building DI Pipeline to Service Domestic and International Film and Television Market

Berlin-based cine plus Media Service has become the latest European post-production company to purchase a Baselight HD, the software-based, non-linear colour grading system from FilmLight. … Continue reading →

Temporal Degrain Supplants Need for Hardware Noise Reducer; Adds Keying and Shape Functionality

FilmLight, a leading manufacturer of film scanning, colour grading and colour management technology, has developed a new software-based noise and grain reduction tool, integrated into its … Continue reading →

Colour Management Tool to Calibrate Digital Projection System

Filmlab, one of India’s largest motion picture film laboratories, has become the first company worldwide to purchase the Truelight Projector Probe, FilmLight’s groundbreaking tool for calibrating digital projectors. The probe will … Continue reading →

Colour Grading System Makes Newly Expanded Facility the Most Complete Post House in Scotland

Serious Facilities has installed a Baselight HD, FilmLight’s software-based 2K and HD colour grading system, as part of the launch of its new, state-of-the-art facility … Continue reading →

Scott Craig to manage sales and support for Japan, India and South East Asia

FilmLight, a leading provider of digital film and video technology, has opened a sales and support office in Singapore, expanding its commitment to the region.… Continue reading →

Post Logic Studios Hollywood Uses Northlight, Baselight and Truelight for DI of Indie Drama

Colour plays a crucial role in Take, the new indie drama from writer/director Charles Oliver that recently made its world premiere at the Tribeca Film … Continue reading →

Renowned VFX and Post Facility Boosts Capacity to Keep Pace with Skyrocketing Demand

FilmLight today announces the sale of a Baselight FOUR colour grading system to The Mill, the Academy Award-winning visual effects and post production facility based in London. … Continue reading →

Australian VFX and Animation Studio Relies on Colour Management Technology for Academy Award-Winning Film

Animal Logic, the Australian visual effects and animation company behind the feature film HAPPY FEET, relied on FilmLight’s Truelight technology for colour management during the … Continue reading →

Companies Also Unveil Truelight/Bones Dailies Integration for End-to-End Colour Management

FilmLight and Grass Valley (www.thomsongrassvalley.com) will be conducting a joint demonstration at the National Association of Broadcasters Convention in which FilmLight’s Baselight colour grading system will … Continue reading →

Digital Film Central, Vancouver’s newest post production house, has selected Baselight ONE-S, FilmLight’s ground-breaking, software-based color grading system, as the key component of its digital intermediate pipeline—currently the only complete DI service in British Columbia. Central, as the facility … Continue reading →

FilmLight, a leading provider of digital film and video technology, announced today that leading Chicago based full-service post-production facility Avenue Edit has purchased and installed a Baselight FOUR colour grading system together with FilmLight’s recently launched Northlight 2 … Continue reading →