Windmill Lane future-proofs colour pipeline with FilmLight’s FLUX Store
Ireland’s leading facility upgrades existing Baselight TWO systems and adds FLUX Store for improved workflow, optimised speed and extra security
Ireland’s leading picture and sound post-production, VFX and content creation studio, Windmill Lane, has installed a new FLUX Store … Continue reading →
Colourist Chat: Studio Feather’s Ana Escorse
Article courtesy of postPerspective
Interview with the talented 2022 FilmLight Colour Awards winner (music video), and 2023 jury member, Ana Escorse…… Continue reading →
Creating three-dimensional images for La Última
Article courtesy of TVB Europe
Colourist Raúl Lavado explains how he created emotions with colour for Spain’s first original Disney Plus series..… Continue reading →
The Media Production and Technology Show. London. 10-11 May, 2023
If you’re coming to MPTS in London, drop in on one of our presentations.
To find out more about attending MPTS, click here.
FilmLight x Picture Shop: In Colour – His Dark Materials
Post Theatre
Wednesday 10 May, 16:00… Continue reading →
Submissions for FilmLight Colour Awards 2023 to open May 1st
Article courtesy of British Cinematographer
Following its second successful event in 2022, FilmLight will shortly be inviting entries for the 2023 FilmLight Colour Awards.… Continue reading →
FilmLight Colour Awards 2023
Entries will open from 1 May – 31 July to colourists operating on any grading platform
Following its second successful event in 2022, FilmLight will shortly be inviting entries for the 2023 FilmLight Colour Awards. The awards, which are … Continue reading →
NAB 2023 – Colour Grading in the Cloud With FilmLight’s Peter Postma and AWS’ Marlon Campos
Article courtesy of Below The Line
An SMPTE panel of colour grading experts discussed the current state of cloud-based colour grading – FilmLight manager/director, Americas Peter Postma…… Continue reading →
Jodie Davidson – “A Life In Colour”
Article courtesy of TVB Europe
Jodie Davidson, senior colourist at Picture Shop in London, reveals how she got her start in the industry, and why she loves collaborating with director Joanna Hogg.… Continue reading →
SMPTE Hollywood Connects Cloud Workflows at NAB Show
Article courtesy of NAB AMPLIFY
“Remote Collaborations — Color Grading in the Cloud” features panelists representing AWS, the Colorist Society (CSI), and FilmLight…… Continue reading →
UPF is leading a European project to improve energy efficiency and savings by the media and audiovisual sector through artificial intelligence
The Emerald project is driven by an interdisciplinary consortium of seven European partners, coordinated by UPF and comprising Trinity College Dublin, the BBC and the following four technology providers: Brainstorm Multimedia, Disguise Systems, FilmLight GmbH, and MOG Technologies. Given the … Continue reading →
Colour in the cloud
Peter Postma, Managing Director Americas, FilmLight
VFX and editing have been possible in the cloud for a while, but colour correction presents some unique challenges.
At a Showcase Theatre session at IBC2022, Katrina King, Content Production Media & Entertainment, AWS, … Continue reading →
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
Article courtesy of Digital Media World
The movie was graded on Baselight in London by colourist Adam Dolniak at Splice, who took the job as his inaugural animation project…… Continue reading →
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