IBC. Amsterdam. 16-18 September, 2023
Crowne Plaza Hotel, Amsterdam
16-18 September 2023
Location »
Are you attending IBC this year? We’ll be available for private meetings at the Crowne Plaza (close to the Convention Centre) from 16‑18 September.
Now in beta, Baselight 6.0 redefines the possibilities for … Continue reading →
Keeping heads above water – The Little Mermaid
Article courtesy of British Cinematographer
“We had to integrate and blend the colour space of the two worlds before the grade,” says Michael Hatzer, who built an ACES workflow that did just that in Baselight at Picture … Continue reading →
Mexico’s Cluster Studio re-invests in Baselight to support entertainment expansion
Leading post-production facility upgrades Baselight systems to maintain efficiencies and cater for growing demand in entertainment market
Cluster Studio, Mexico’s leading post-production studio, has re-invested in FilmLight by upgrading its pair of Baselight TWO systems, supporting its move into the … Continue reading →
RENCONTRE AVEC JACQUI LORAN, CEO DE FILMLIGHT ET DAPHNÉ POLSKI, PRODUCER & MARKETING MANAGER
Article courtesy of Lapins Bleu
Our French training partner interviews FilmLight Director, Jacqui Loran, and Producer/Marketing Manager, Daphne Polski, about Baselight and its place in the industry…… Continue reading →
The Jury: In Colour
Article courtesy of Televisual
We caught up with a few of this year’s jury members about their relationship with colour and asked them what they’re looking for in this year’s award entries…… Continue reading →
A Spotlight on colour grading for smaller budget productions
Article courtesy of Creative Cow
The Spotlight award seeks to find the unsung talents in the industry, who have contributed to the creative impact of a lower budget (less than $3 million USD) feature film or television … Continue reading →
Expo Pantalla en CDMX. 27 al 28 de junio
Reúnete con nosotros en el stand de FilmLight en el piso de exhibición del 27 al 28 de junio, entre las 2 p. m. y las 8 … Continue reading →
Greig Fraser ACS ASC on colour and seeking “new vision” in this year’s Colour Award entries
Article courtesy of British Cinematographer
Greig Fraser ACS ASC, award-winning cinematographer, discusses his relationship with colour and what he’s looking for from entries in this year’s FilmLight Colour Awards…… Continue reading →
Windmill Lane Future-Proofs Colour Pipeline with FilmLight’s FLUX Store
Article courtesy of Little Black Book
Ireland’s leading facility upgrades existing Baselight TWO systems and adds FLUX Store for improved workflow, optimised speed and extra security…… Continue reading →
Jennifer Mendes, Colourist, Loudness Films
Article courtesy of Creative Cow
Jennifer Mendes is a colourist at Loudness Films in Portugal. She talks us through her journey to becoming a colourist, her relationship with colour and more…… Continue reading →
Windmill Lane future-proofs colour pipeline with FilmLight’s FLUX Store
Ireland’s leading facility upgrades existing Baselight TWO systems and adds FLUX Store for improved workflow, optimised speed and extra security
Ireland’s leading picture and sound post-production, VFX and content creation studio, Windmill Lane, has installed a new FLUX Store … Continue reading →
Colourist Chat: Studio Feather’s Ana Escorse
Article courtesy of postPerspective
Interview with the talented 2022 FilmLight Colour Awards winner (music video), and 2023 jury member, Ana Escorse…… Continue reading →
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