With only one more day until its UK release date, you can find out about the complete ACES workflow used in Elysium in the Below the Line online magazine.

As the post facility for Neill Blomkamp’s new movie Elysium, Digital Film Central constructed a unique 3.3K color and conform workflow that tightly integrated grading with both editorial and VFX. To ensure seamless collaborative working, the entire pipeline relied on FilmLight’s Baselight TWO, and the Academy Color Encoding System (ACES).

Read the full article here.