Digital color correction is the now the global standard. But there are many subtle aesthetic differences beyond the post suites of Hollywood.

In this article from ICG Magazine, Pauline Rogers talks to a range of highly talented and well-respected colour-correction professionals outside the U.S. to get their take on colour grading across the world.

The experts include Peter Doyle (London-based Technicolor), Jean-Clément Soret (Global Creative Director, Technicolor UK, MPC-Commercials), Thomas Ramin (Technical Director, CinePostproduction Germany), and FilmLight’s Daniele Siragusano (Workflow Consultant).

“I do believe there is also a strong divide between North American and European color sensibility. I see this nearly every day in the impassioned discussions that surround skin tones and trailer grades.”
Peter Doyle

Read more in ICG Magazine.