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LEGO Batman LEGO Batman LEGO Batman Bram Tulloch, editorial (R), and Sam Chynoweth, Colourist (L) Bram Tulloch, editorial (L), and Sam Chynoweth, Colourist (R)

Case Studies

Dialing it up to 11 – grading LEGO Batman

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Due to a long and productive relationship with Warner Bros. - through films such as Happy Feet, The Matrix and Legend of the Guardians: The Owls of Ga’Hoole – Sydney’s Animal Logic collaborated on The LEGO Movie (released 2014) from pitch and proof of concept through to post.

After the success of this film, Animal Logic and Warner Bros. began working on a spin-off and 3 years later The LEGO Batman Movie is enjoying global success.

Sam Chynoweth and Bram Tulloch talk about grading the latest feature in the LEGO® movie franchise, The LEGO Batman Movie.

Developing the grade

“For this all-animated feature, we acted less as post-production and more as part of the production team,” says Sam Chynoweth, Colourist at Animal Logic. Where we might normally get four weeks to grade a live action movie, here we were embedded in the production process for a year. From near the beginning of the project we were working with production designer Grant Freckelton to develop looks and we essentially became an extension of the lighting, compositing and output departments rather than just waiting for finished shots to be delivered to us.

The process began with Grant and Chris (McKay, the director) where we would work a lot to get exactly the right feel. At one stage we were dark and gritty and very Batman - very early on they had some ideas where they wanted elements of a 70’s film so we had to work out how we could incorporate those but keep it feeling modern - and then we lifted it up a little to get a bit of fun happening.

We ended up coining the phrase “baby’s first apocalypse”: dark and gritty and Gotham-like, but all the bits that could be made fun would be fun, and anything that could be turned up was turned up to 11. Our motto all the way through was “enhance, enhance!”.

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“The Compress Gamut tool in Baselight 5.0 is a life-saver. We were able to get all those colours from the big-screen version into the 709 deliverable with minimal compromise.

Compress Gamut just revolutionises the way you do it.”

 

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LEGO Batman Case Study (PDF)

 

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