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Truelight Colour Spaces

International Cinematography Days 2018, Stuttgart

The FilmLight seminars at the International Cinematography Days 2018 took place in Stuttgart on the 16th and 17th March.

From Photons captured by a Camera to Photons emitted by a Display

From Photons captured by a Camera to Photons emitted by a Display

In this seminar, FilmLight's Daniele Siragusano provided a full and complete picture of how data acquired by a camera is recorded, manipulated, finally interpreted and prepared to be viewed by the audience. Several fundamental concepts were explained:

  • Camera profiling: the principles of camera encoding and operations.
  • A novel way to think about exposing a camera.
  • Different colour grading styles and their heritage.
  • Colour appearance modeling and preferred colour reproduction.
  • Base Grade: a photographic approach to colour grading.
Managing Colour in a Multi-Delivery Production

Managing Colour in a Multi-Delivery Production

In this seminar, Daniele discussed future-proof colour management strategies optimised for multi-delivery (SDR and HDR). First, fundamental differences in display characteristics between HDR and SDR Displays were reviewed from a technical and creative standpoint. Based on those findings, the major HDR distribution standards were examined from a conceptual standpoint. Finally, a distribution agnostic post-production colour workflow, and an outlook on future work, were presented.

Improvements in Baselight 5.0
Improvements in Baselight 5.0

Improvements in Baselight 5.0

This video explains the improvements to colour management in the upcoming Baselight 5.0 release. The video looks at the architectural changes to colour management, including:

  • Mastering Colour Space
  • DRT families and viewing conditions
  • New default colour space (FilmLight: T-Log / E-Gamut)
  • New DRT family (Truelight CAM)
  • Truelight Scene Looks
Effective Colour Management from Production to Distribution
Part 1: Challenges & workflows for colour management today Part 1: Challenges & workflows for colour management today
This video covers two topics: traditional grading workflows, and the challenges faced with modern digital image acquisition and digital colour reproduction.

So that we can view modern workflows in the right context, Daniele Siragusano first describes the behaviour and limits of different traditional workflows when grading an image. He then goes on to explain the new challenges we face when mixing different cameras and different display technologies, so that we can understand how modern colour management concepts - like ACES and Truelight Colour Spaces - can provide an answer.
Part 2: Solutions with ACES & Truelight Colour Spaces Part 2: Solutions with ACES & Truelight Colour Spaces
In the second instalment, Daniele looks at ACES to show how the framework handles the challenges discussed in part 1 around digital image acquisition and pleasing colour reproduction.

He then demonstrates how to use Truelight Colour Spaces to implement the ACES idea, and shows how the concept can be extended for different grading workflows.
Improvements in Baselight 4.4m1
Improvements in Baselight 4.4m1

Improvements in Baselight 4.4m1

This video explains the improvements to colour management in the latest release of Baselight, including:

- new naming convention
- new DRTs
- shot-based colour management
- CDL grade
- support for ARRI look files
- advanced LUT export
- removal of colour spaces from formats
- vectorscope contrast control
- colour space hints
- scene templates

 

This section contains feature tutorials that show you how to use our systems.

 

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Document Library

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Image Library

If you're looking for a picture of one of our systems, or a screenshot of a user interface, this is the place to look.

 

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