The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.
Fast, creative non-linear grading system in the finishing suite.
Premier colour correction directly within Avid.
Premier colour correction directly within NUKE.
Professional deliverables that take the colour pipeline from shoot through post.
Interactive look research and colour correction right from the start.
High-precision instruments for artists.
“My reference point is always the director’s universe. In this case, I love the vision of Edouard Deluc.”
Pierre Cottereau & Sébastien Mingam »
“I like to understand the director as well as the DoP’s vision. What is it that they actually want to achieve from the movie?”
Makarand Surte, Redchillies.Color »
“I remember seeing an early Baselight system on trial. I was smitten. The control surface had me hooked, still does!”
Enge Gray, Platform Post »
“This job is ever-changing, be it thanks to evolving technology, new clients or challenging projects.”
Luke Morrison, The Mill, Chicago »
“Optical Art became Baselight beta testers very early on. We still keep that serial number 0001 on one of our machines.”
Ronney Afortu, Optical Art »
“My Baselight TWO performed fantastically - to the point where we sometimes forgot we were working in 4K at HDR.”
Dan Coles, Technicolor London »
Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.