Download




Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

FLIP

On-set preview with real-time application of LUTs & looks.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“Always do your version of what the client wants. That’s what makes you stand out as a colourist.”

Gene Curley, Nice Shoes »

“In cinematography the first image doesn’t have to be perfect, it just has to be the starting point.”

Vittorio Storaro, Cinematographer »

“The best part about Baselight is that there is no clear-cut way to do one thing; there’s a lot of depth to the creativity. ”

Anthony Raffaele, Technicolor PostWorks »

“I definitely love the tracking in Baselight; it is so fast and accurate. I also enjoy all the intricate window shapes.”

Jill Bogdanowicz, Deluxe »

“I look at a shot and then I find the best part of it, the part that represents a photograph, and I go from there.”

Beau Leon, Framestore, LA »

“The films that have the time or motivation to experiment – they are always the most fulfilling. To try and find what could be.”

Peter Doyle, Technicolor, London »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Frame by Frame: 4K, ACES and creativity in colour.

Case Study » Frame by Frame logo
Baselight Ka-booms in Belfast: rapidly growing post house adds Baselight grading suite for new BBC broadcast project, Can’t Touch This.

Case Study » Ka-boom logo
Television comedy Lerchenberg implements FilmLight’s innovative colour solutions across its production-post process.

Case Study » ZDF logo
Alter Ego leads the way in film grading and compositing in the high-end Canadian commercial marketplace.

Case Study » Alter Ego logo
Fifty Fifty utilises FilmLight’s renderless Baselight/Avid workflow to finish BBC documentary.

Case Study »
Fifty Fifty logo

sitemap | accessibility | [email protected]
© 2016 FilmLight Ltd. All rights reserved | Legal notice |