For commercials or music promos originating on film or video, the Baselight software colour corrector provides a highly responsive and extensive feature set for client-attended colour grading.
Baselight integrates with telecine equipment, such as the DFT Digital Film Technology Spirit DataCine, to support a commercial or dailies workflow, and makes it simple to create editorial-ready dailies—sync audio, render out editorial-ready media, and export an ALE file so that you can access all metadata within your editorial system, regardless of whether the metadata was added in Baselight or was attached to the source media.
In-context grading, versioning and deliverables plus Baselight's superb creative toolkit ensure world class commercials production. Baselight's toolkit is also far more extensive and flexible than traditional hardware colour correctors, enabling colourists to deliver and fulfil the client's needs without compromising speed or quality.
Some of our more recent film DI credits include:
|Adidas 'Star Wars'||The Mill|
|Barclaycard 'Waterslide'||The Mill|
|Britvic Drench 'Brains Dance'||The Mill|
|Coke 'Burn'||Cutting Edge|
|Fiji Me||Images & Sound|
|Fourteen Actors Acting||Spring Studios|
|Guinness 'Tipping Point'||The Mill|
|Hovis 'Go On Lad'||The Mill|
|Kanye West 'Power'||Nice Shoes|
|Orange 'Windup'||The Mill|
|Sony '3D Bravia'||One of Us|
For a full list of credits, click here.